THE Queen allows her clothes to reflect fashion
but not lead it," said Caroline de Guitaut, curator of
Fashioning a Reign: 90 Years of Style from The Queen's
Wardrobe a new exhibition opening today at The Palace of
Holyroodhouse. Celebrating the Queen's 90th birthday,
the exhibition explores her support of British couturiers including
Norman Hartnell, Ian Thomas and Hardy Amies. The showcase marks the
first time such garments have gone on display in Scotland and is
followed by exhibitions at Buckingham Palace and Windsor Castle
with over 150 outfits presented across the three
palaces.
"The Queen transcends fashion but her clothes continue to
reflect it," said De Guitaut. "She is completely involved in her
wardrobe and works with leading British couturiers of the day but
will reject designer's sketches if she doesn't like them.
Consistently elegant, she dresses in bright, visible block colours,
often with a complementary hat but note that we rarely see her in
pattern."
Highlights of the exhibition include an unusual rich red
Oscars-worthy Hardy Amies gown made with complex pleating and folds
marking the strapless style that the Queen wore throughout the
Fifties and several dresses from British couturier Norman Hartnell,
who first worked for the then Princess Elizabeth in the
Forties.
For the wedding of her sister Princess Margaret in 1960, the
Queen wore an exquisite Hartnell turquoise-blue dress with matching
bolero jacket in silk taffeta, a fabric rarely used because it
easily creases. The dress marks a turning point in the Queen's
wardrobe as the last time members of the Royal Family wore
full-length gowns for a daytime event.
An Isle of Skye tartan shawl is draped over a purple silk wool blend coat and green crêpe and lace dress worn for the official opening of the Scottish Parliament in 1999. Designer Sandra Murray said: "Inspired by the thistle, the frock coat has a purple and bronze taffeta lining and the dress has a lace paisley design with sleeves to the elbow. When I delivered the final outfit to the Queen she saw herself in the mirror and said 'Splendid'. Habitually she has worn a coat to the knee, but this is a longer style and I think she liked the cutaway shape and deep-V neckline."
Highlighting diplomacy within the Queen's wardrobe, a Hardy Amies dress embellished with Californian native poppies "communicates with her audience without having to say anything" says De Guitaut. A magnificent Hartnell evening gown of pale-blue silk faille with embroidered bodice and full skirt worn in 1962 on King Olav of Norway's state visit is typical of the crinoline style that the Queen wore until the mid to late Sixties when silhouettes changed.
"Embellishment and embroidery is an important aspect of her wardrobe and she frequently returns to duchesse satin and silks because they take beading so well," said De Guitaut. "Her wardrobe must be practical but we rarely see pockets or belts because they alter the line of an outfit. Zips and fastenings are typically concealed because she is very aware of how each look will be seen so her dresses are often just as beautiful at the back as they are at the front."
Further examples of diplomatic convention are seen in an Ian Thomas black silk-velvet and taffeta dress worn with a traditional black silk-tulle veil or mantilla to meet Pope John Paul II in 1980 and in a ceremonial mantle, hat and insignia of the Order of the Thistle worn on ceremonial occasions.
A pair of pink princess-line double-breasted children's coats and matching bonnets worn by Princess Elizabeth and Princess Margaret in 1937 during an official visit to the Palace of Holyroodhouse with their parents are also on display. The exhibition includes a series of fashion sketches and a film showing examples of embroidery, millinery and kilt-making techniques that are used to accent the Queen's wardrobe.
"Fashioning a Reign: 90 Years of Style from The Queen's Wardrobe" is at the Palace of Holyroodhouse, 21 April - 16 October 2016, Buckingham Palace from 23 July - 2 October, and Windsor Castle from 17 September 2016 - 8 January 2017.
0 comentarios:
Post a Comment